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Mbarga used English lyrics in a style that he dubbed panko, which incorporated "sophisticated rumba guitar-phrasing into the highlife idiom".
Among the genre's earliest stars were Haruna Ishola and Ayinla Omowura; Ishola released numerous hits from the late '50s to the early '80s, becoming one of the country's most famous performers.Much of this innovation was the work of IK Dairo & the Morning Star Orchestra (later IK Dairo & the Blue Spots), which formed in 1957.these performers brought jùjú from the rural poor to the urban cities of Nigeria and beyond. Dairo became perhaps the biggest star of African music by the '60s, recording numerous hit songs that spread his fame to as far away as Japan. Mensah, easily the most popular highlife performer of the 1950s, toured Igbo-land frequently, drawing huge crowds of devoted fans.During the same period, other highlife performers were reaching their peak.These included Rocafil Jazz and Prince Nico Mbarga, whose "Sweet Mother" was a pan-African hit that sold more than 13 million copies, more than any other African single of any kind.
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Alhaji Sikiru Ayinde Barrister started his fuji career in the early 1970s with the Golden Fuji Group," although he had sung Muslim songs since he was 10 years old.